Wilson’s Fat Amy - and it says so much about Wilson’s triumphantly hostile anti-P.C. They’ve got it together on stage, but after trashing the pad of DJ Khaled (playing himself), they use their wits to vault a series of absurdist soap-opera thriller obstacles. In a way, these movies are all about the glory of showing off, and the Bellas do it big-time when they perform Sia’s “Cheap Thrills,” spinning around in red-and-white striped halter tops. The sequence succulently lays down the “Pitch Perfect” vibe, which walks a divine line between snark and sincerity: The songs are hooky bliss, served up with a heavily italicized frosting of hip-twitching feminist ‘tude. The Bellas do party songs (a whip-cracking “Get the Party Started,” etc.), then challenge their rivals to do “songs by people you didn’t know were Jewish,” a medley that includes Blondie’s 1980 hit “Call Me” (which made me go… really? And no, it wasn’t written by Chris Stein). ![]() So when the Bellas are invited, by one group member’s military father, to join a USO tour of Europe, they grab the chance to seize the day.Īt the airport, they run into a rival ensemble whose members actually play instruments, and this allows the Bellas to get back to their a cappella roots in a series of face-off medleys. Even Beca (Kendrick), having established herself as a record producer, gets canned from her latest gig after a run-in with an egregious white rapper in rasta braids. The Bellas, long past their college days, are now out in the real world, stuck in the drudgery of dead-end jobs. All three deserve better movies but make the most of this one. But as directed by Trish Sie, the movie is bubbly, it’s fast, it’s hella synthetic-clever, and it’s an avid showcase for the personalities of its stars: the skeptically pert Anna Kendrick, the radiant and vivacious Hailee Steinfeld, and the terrifyingly droll Rebel Wilson. It still sounds like we’re in middle-period “Glee” written by someone who finds Ryan Murphy too solemn. (Yes, it’s a trilogy - though if this movie manages to crawl its way to $100 million domestic, I could see the Bellas coming out of retirement to win a spot on “The Voice.”) The new film doesn’t add anything revolutionary to the “Pitch Perfect” formula. That makes “ Pitch Perfect 3,” the final chapter of the trilogy, a return to form.
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